the photograph as contemporary art

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The Photograph as Contemporary Art
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Publisher : Unknown
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ISBN 10 :
Pages : 248 pages
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Offers a survey of contemporary art photography that includes discussions of the eight categories within the discipline, profiles of prominent artists, and photographs with detailed explanations.

The Photograph as Contemporary Art

Offers a survey of contemporary art photography that includes discussions of the eight categories within the discipline, profiles of prominent artists, and photographs with detailed explanations.

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The Photograph as Contemporary Art  World of Art

A new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton. In the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented,

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The Photograph as Contemporary Art

From conceptual art’s use of the banal and ‘artless’ snapshot to the carefully constructed tableaux of Jeff Wall, 'The Photograph as Contemporary Art' considers the full range of ways that today’s artists engage with photography to make art.

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The Photograph as Contemporary Art

“Essential reading for anyone who wishes to make sense of the complex . . . world of contemporary art photography.” —Picture Professional

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The Photograph as Contemporary Art

In the 21st century photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. This book provides an introduction to the extraordinary range

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Photography is Magic

Photography Is Magic draws together current ideas about the use of photography as an invaluable medium in the contemporary art world. Edited and with an essay by Charlotte Cotton, this critical publication surveys over eighty artists, all of whom are engaged with experimental ideas concerning photographic practice, as the contemporary

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Contemporary Photography and Theory

Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in

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Why Art Photography

The second edition of Why Art Photography? is an updated, expanded introduction to the ideas behind today’s striking photographic images. Lively, accessible discussions of key issues such as ambiguity, objectivity, fiction, authenticity, and photography’s expanding field are supplemented with new material around timely topics such as globalization, selfie

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Fashion Image Revolution

The groundbreaking images created in London's celebrated commercial darkroom tell the fascinating story of one of the most productive, experimental, and colorful eras in fashion photography. For more than 30 years, Brian Dowling's studio was the birthplace of some of the most remarkable fashion photography ever created. In his Islington darkroom,

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Why People Photograph

A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael

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Reparative Aesthetics

By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art,

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Shared Intelligence

Catalog of an exhibition opening at the Georgia O'Keeffe Museum on Feb. 4, 2011 and traveling to the Columbus Museum of Art and the Pennsylvania Academy of the Fine Arts.

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Public  Private  Secret

Copublished by Aperture and the International Center of Photography

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Photography After Conceptual Art

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium Selected by Choice as an Outstanding Academic Title for 2011 Appeals to people interested in artist's use of photography and in contemporary art

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Photography After Capitalism

A polemical analysis of the politics and economics of today's vernacular photographic cultures. In Photography After Capitalism, Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to

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